My must have albums

I was thinking the other day about what are for me "must have albums".  By that I mean ones that I have always had close to any regular playlist.  I then thought about it and some shine out as I've bought them on multiple formats over the years.  Some were cassettes that got trashed so an LP was bought, or bought as vinyl to be replaced with a CD or even some direct as MP3 downloads.  This shows to me that they are my "must haves" due to my needing to maintain them in my listening format of choice.

Steve Earle - Copperhead Road
Weather Report - Heavy Weather
Rush -   Moving Pictures
Supertramp...  Crime of the century and Crisis? What Crisis!
John Martyn. Solid air  and Grace and Danger
Marillion. Season's End, Misplaced Childhood and Script for a Jester's Tear
Thunder - Laughing on judgement day
Joe Satriani -  Surfing with the alien
Ufo - Strangers in the night

So all of the above have been bought by me at least once on a replacement format, some more than once - the Supertramp ones hit that target!

So for me this is my must have list.

Comments

  1. Exile on Pain Street13 January 2016 at 12:06

    Jeff Beck - Blow by Blow
    Rush - Permanent Waves
    Steely Dan - Katy Lied
    The soundtrack to the movie Manhattan
    Bach - The French Suites
    Ray Charles Greatest Hits Vol. 2
    Dusty Springfield - Dusty in Memphis

    It's early. That's all I got for now.

    ReplyDelete

Post a Comment

Popular posts from this blog

Fantasy Signature Guitar

Image
I got this from IHeartGuitarBlog who got it from the Seymour Duncan User Group Forum Here are a set of questions to answer about your own fantasy signature guitar... Q1: Which company called you? Q2: Which standard model in their product lineup do you base your sig off of? Q3: What specs do you insist upon that make it uniquely yours? Q4: What other customizations do you make to the guitar? Q5: What special piece of “case candy” goes with it as a collector’s item? Right here goes... Q1: Which company called you? Fender Q2: Which standard model in their product lineup do you base your sig off of? Strat. Q3: What specs do you insist upon that make it uniquely yours? Ash body, rosewood fingerboard 12" radius, large 70s style headstock but four bolt neck joint. Non trem! Twin humbuckers, with tone and vol each and coil taps on the tone controls. Q4: What other customizations do you make to the guitar? Locking machine heads - not really needed but make string chan
Read more

12 String Guitar - Bridge Doctor Installation

Image
Remember my 12 string needing to have it's overbelly reduced?  Well I ordered a Bridge Doctor  from StewMac in the USA which arrived in a couple of weeks. Here is the bridge doctor before installation Here is the action before - about 5mm on the bass side and about 3mm on the treble. The guitar on the workbench Hole drilled - I got a 1/4" brad bit for the outer hole and used a cocktail stick marked at 1/8" as my depth gauge.  You get a little plastic dot you can inlay over the screw once finished - I may do that later when I get happy with it.  Luckily I have a local little hardware shop that stock imperial drills and are cheaper than the big stores... no doubt as the stock has been there 20 years! Set the doctor to the best width - the circular plastic bolt holder has three settings - I used the widest you can see to allow string clearance on the 12 string - on a 6 string the middle would probably be best setting.  The doctor installed - t
Read more

Let's talk plectrums...

... or should that be plectra I'm no good at that kind of English... to boldly go and all that. (If you are not a guitarist here is a health warning about this post, it may lead to you attempting to chew off a limb to retain conscious or keep your sanity...) My history of plectrum use is... Bloody huge triangular Gibson ones, heavy, I used to wear them out so they ended up pretty much circular in a matter of days/weeks. Odd at that time I had a Strat copy and used Gibson Strings and Gibson picks - I even went for Gibson strings with a wound third at one point after reading heavier strings gave a better tone... yes but you can't play the damn thing and could never get the intonation sorted out after an older mentor showed me what that nonsense was all about. For a long time there after I used Fender medium the hard once, often in tortoiseshell as I thought that classy for some bizarre reason. "Hello darling look at my tortoiseshell picks." I never had many girlfriends
Read more